Do Plu Do is a collective who’s made it to the Behance project list a few times in the last few months. I was mostly struck by their fun vector work and great use of colours. No big innovations in their themes but their huge murals are stunning. How I would love to have a wall like this in my house!

 

All images © Det. Greg Semendinger (NYC Police Aviation Unit)

Yesterday newly released images from the 9/11 attacks sprung up on major news sites and completely wow’ed me. Despite the tragedy these images qualify as stunning art pieces. No movie director can invent surreal cloud formations like these. Splendid splendid nature.

The images were taken from a police helicopter — the only photographers allowed in the air space near the towers on Sept. 11, 2001. They were obtained by ABC News after it filed a Freedom of Information Act request last year with the National Institute of Standards and Technology, which investigated the collapse.
[source: MSNBC.com]

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Following the previous post about art through code – here is Erik Natzke‘s work. Incredible how such an organic feel can be created with entirely digital tools. Erik himself says how he wishes he could do this with real paint.

In contrast to Keith Peter’s work, code is used here to create a tool (paintbrush) instead of coding the ‘pixels’ of the artwork itself. The debate remains if coding an artwork is not so much creating something new but rather mirroring mathematics. But this is a fallacy of the human mind seeing any piece of art which might seem highly complex can be translated into a mathematical formula. What else is the code captured in a JPG but a simple rendition of a seemingly complex visual which could be rendered even more truthful to the mathematical ‘pure form’ by increasing the complexity of the code.

So the difference is in the consciousness of the human mind behind an artwork. When coding an artwork you are supposedly ‘conscious’ of every ‘pixel’ you create whereas with Natzke’s brush your consciousness, because of the limitations of our brainpower, is not grasping the complexity of what your hands are doing. But it’s still an imitation of a mathematical formula which hasn’t necessarily been created in the universe (yet) but which exists as part of the endless creations mathematics can bring forth.

Weird how, often, human consciousness formulates its own limitations as ‘chance’ just because it cannot grasp the complexity.

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